Yixing Zisha is also a traditional molding process. The production skills and the level of craftsmanship are very high. A square teapot that is both beautiful and practical requires precise proportions, tightly-closed mouth flaps, crisp surfaces, neat lines, imposing appearance and strength, and its craftsmanship is not inferior to other shapes. Because of its higher difficulty, the number of production is relatively small. Appreciating the beauty of a square piece is not beautiful, but the key is the following:
Purple sand must have "degree". The concept should be reasonable, the proportion should be properly, the lines should be smooth, and the actual situation should be appropriate. This has a very important relationship with the skill of the creator and insights about the work. Tea makers do not care about how many surfaces and how many layers there are. The key is to have a sense of depth and a sense of three-dimensional space.
Purple sand box must have "force". This is the most important intuitive feature of a square teapot. Why is it that the "Sand-blasting pots" created by Huang Yulin in the Qing Dynasty and the "cap pots" created by the modern Gu Jingzhou can be favored and sought after by collectors and connoisseurs because they look very powerful, like a "young young man"? . Powerful lines, powerful angles, strong convergence, strong contrast between reality and reality, and heavy work.
Purple sand box should have "angle." The so-called square teapot is measured by the concept of mathematical solid geometry. For example, the "brick square device" created by Mr. Pan Chiping is made of four pieces of clay. The angle is dignified and the connection is reasonable. It is an excellent work. The "angle" mentioned here is not only the meaning of the angle. However, it is a degree of tolerance, that is, the upper and lower left and right lines are clearly defined, angled and symmetrically symmetrical.
Purple sand must have "grain." Violet sanders require stricter mud materials. It is usually advisable to use appropriate grains of sand, such as "Purple Mosaic" and "bottom groove blue". After firing, the sand particles appear to be hidden on the pot body, but people feel old and not dry, new and not tender, rough but not run, charming and chaotic. This is the technical feature of the square goods that distinguishes it from other types of teapots.
Purple sand must have "run." Square teapots are made up of multiple faces, and in the "public side" processing, we must also pay attention to the artistic experience of "filling in squares," and treat the lines round at the junction to make them more rounded. feature. Of course, a good work should also be based on styling features and creative ideas, and it is not necessary to pull out the "circle" contact.
Therefore, the square teapots in the creation or production process can reasonably grasp the relationship between line and angle, line and surface, or rough, or plump, or vigorous, or delicate, will present different three-dimensional effects and artistic appeal. It is the unique charm of square pot modeling.
Purple sand must have "degree". The concept should be reasonable, the proportion should be properly, the lines should be smooth, and the actual situation should be appropriate. This has a very important relationship with the skill of the creator and insights about the work. Tea makers do not care about how many surfaces and how many layers there are. The key is to have a sense of depth and a sense of three-dimensional space.
Purple sand box must have "force". This is the most important intuitive feature of a square teapot. Why is it that the "Sand-blasting pots" created by Huang Yulin in the Qing Dynasty and the "cap pots" created by the modern Gu Jingzhou can be favored and sought after by collectors and connoisseurs because they look very powerful, like a "young young man"? . Powerful lines, powerful angles, strong convergence, strong contrast between reality and reality, and heavy work.
Purple sand box should have "angle." The so-called square teapot is measured by the concept of mathematical solid geometry. For example, the "brick square device" created by Mr. Pan Chiping is made of four pieces of clay. The angle is dignified and the connection is reasonable. It is an excellent work. The "angle" mentioned here is not only the meaning of the angle. However, it is a degree of tolerance, that is, the upper and lower left and right lines are clearly defined, angled and symmetrically symmetrical.
Purple sand must have "grain." Violet sanders require stricter mud materials. It is usually advisable to use appropriate grains of sand, such as "Purple Mosaic" and "bottom groove blue". After firing, the sand particles appear to be hidden on the pot body, but people feel old and not dry, new and not tender, rough but not run, charming and chaotic. This is the technical feature of the square goods that distinguishes it from other types of teapots.
Purple sand must have "run." Square teapots are made up of multiple faces, and in the "public side" processing, we must also pay attention to the artistic experience of "filling in squares," and treat the lines round at the junction to make them more rounded. feature. Of course, a good work should also be based on styling features and creative ideas, and it is not necessary to pull out the "circle" contact.
Therefore, the square teapots in the creation or production process can reasonably grasp the relationship between line and angle, line and surface, or rough, or plump, or vigorous, or delicate, will present different three-dimensional effects and artistic appeal. It is the unique charm of square pot modeling.
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