The word "rhyme" can express the unique aesthetic taste of the oriental people independently and accurately. A tasteful oriental jewel that really has "rhyme" should be a combination of meaning, environment, shape, god and rhyme.
The origin of "rhyme"
"Rhyme" is a text with oriental temperament, and is also a unique Chinese text. Its original meaning refers to the harmonious voice, but also refers to grace, temperament and taste. The Chinese have always been very fond of flavor and taste. No matter where you are, you can more or less appreciate the culture of "rhyme" and the charm of "rhyme".
Since ancient times, the Chinese have paid attention to the fact that rhyme is beautiful, such as charm, rhythm and rhyme. This also implies or means that the Orientals use the method to carry out aesthetics. Where is the aesthetic foundation, and of course there are quite a few rhymes related to rhyme, which are not listed here.
Rhyme-like relationship
The word "rhyme" can express the unique aesthetic taste of the oriental people independently and accurately. You may not be able to express the taste of "rhyme" very accurately in the language of other countries.
In the dictionary, "rhyme" is divided into nouns and adjectives, which clearly means that "rhyme" itself contains the relationship between false and real, and this relationship is the origin of oriental aesthetics.
In some ancient Chinese poems, such as "Shi Yun Shan Ji" in the "Yu Yun Xu Xiu" sentence is quite realistic; such as "yunren", "fashion elegant" and so on with a descriptive vocabulary, such The expression is more illusory.
This can be called the transformation of thinking and reality, or from virtual to real, or from real to virtual. The transformation between real and virtual is itself a kind of beauty, which can also be applied to the future aesthetic of jewelry, especially Jewelry works with the theme of ancient China can also feel the charm of its exuding from the perspective of some "rhyme".
The aesthetic application of "rhyme" in music and jewelry
In the field of music or jewelry, including jewellery aesthetics and musical aesthetics, there will be more or less commonalities. For example, they all have themes, rhythms, volume, rhythm, repetition and symmetry, and even color, whether it is the emotional color of music or the visual color of jewelry. There is also a sense of density and relaxation that is often said to have artistic commonality.
Some of the most famous erhu works in China, such as "Two Springs Reflecting the Moon", "Listening to Song", "Empty Mountain Birds" and other top ten famous songs, why are these famous songs famous? That's because they give the listener a sense of being "immersive and real". When the music is ringing, the listener can have a real feeling. At the moment, it is a real feeling, but when the music is There is no sound after the break, only the "aftertaste" is left, it is imaginary, this is a process from reality to emptiness.
This feeling is like enjoying a deep, full-featured work, whether it is a jewel, a sculpture, a sculpture or inlay, or other forms of jewelry. The charm and charm behind it.
The contact between the daily design and the "rhyme"
In fact, the rules of appreciation or design mentioned above, such as rhythm, rhythm, volume, etc., still need to be integrated into their own feelings through personal perception and processing, and perfectly interpret through the flexible changes of art form. Piece of jewelry.
In general, to make a beautiful piece of jewelry is based on the physical characteristics of the gem, which is the real part; and then with the designer's unique thinking, this is a virtual part, mutual fusion, and interaction It is refined into a jewel of charm.
A tasteful oriental jewel that really has "rhyme" should be a combination of meaning, environment, shape, god and rhyme. Chinese people like things that have taste, and things that have a taste are "rhymes."
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